Rick Peterson

• 2x OpenType fonts designed for layering.
• 1x SVG Color Font.
• Each font contains 365 glyphs.

SB Atom is a spin off of SB Grip and is based on a repeating color tile. It consists of an SVG color font and a two single layer fonts that are designed to be combined. The colour font is available in black and red and the layered fonts can be colored individually.

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A NOTE ON THE SVG COLOR FONT VERSION OF THIS FONT:

You will need to check compatibility with your software to see if it works with SVG Color fonts, as this is still a relatively new technology.

Applications that support OpenType-SVG fonts:

• Adobe Photoshop, version CC 2017 and later.
• Adobe Illustrator, version CC 2018 and later.
• Adobe InDesign, version CC 2019 and later.
• Affinity Designer, since macOS 10.14 Mojave.
• Pixelmator, since macOS 10.14 Mojave.
• QuarkXPress, version QuarkXPress 2018 and later.
• Sketch, since macOS 10.14 Mojave.

Web browsers that support OpenType-SVG fonts:

• Safari, since version 12, macOS 10.14.
• Safari Mobile, since iOS 12.
• Firefox, version 32 and later.
• Microsoft Edge, Windows 10 Anniversary Edition and above.
• In Windows 10, the DirectWrite and Direct2D platform components allow OpenType-SVG support in any apps that use those APIs

Introducing, Bernida - A cute and lovely script with casual and playful feel. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Email us to letterhend@gmail.com if you need something! Happy Designing!

Based on the type style used for the Superior Sign and Chart Printer No. 929, this simple and clean sans serif font was perfectly suited for use by teachers in the classroom and for businesses and organizations that needed to make signs, price cards, charts and notices.

Digitally redrawn as Schoolroom JNL, it is available in both regular and oblique versions.

The Superior Marking Equipment Company [formerly of Chicago] was not only a major supplier of materials for the rubber stamp industry, but for most of its existence manufactured date and numbering stamps, sign and chart printers (such as the one used for this font), and a line of children’s printing toys (amongst other items).

Sporty and brawly, Magnesit creates impact everywhere it lands. Impressive headlines are its specialty, but it feels right at home used in packaging, branding and poster design. With a very tall x-height, wide language support and minimalistic yet playful appearance, it can take on any serious typographic job. Three distinct styles expand the possibilites even further: the straight to the point Regular, the friendly Soft and the determined Hard styles share metrics across related Magnesit Stencil and Magnesit Dark families, so you can mix and match to achieve exactly the effect you need. Magnesit works great with illustrations, the generous shapes can be easily filled with strong imagery to great effect.

Based on the best-selling Grim, Magnesit is a vast improvement of the concept with long awaited addition of lowercase, reworked proportions, spacing and kerning, expanded language support and useful icons to satisfy even the most demanding typographers’ needs.

Notebug looks like there was a bug playing around with an inky pen. Notebook with a bug = Notebug!
Made with a hefty inky pen and quick strokes. You got 3 layers to play around with: Regular (the outline) Fill (The “inside” of the Regular version and Layer (best used as a background layer for Regular)

Initially started as an extension to Praline MCL, Roca transformed into a new font family - influenced by the same fonts as Praline - Windsor and Cooper Black - the hits of 60s and 70s – with a hint of Bookman.

Created in 2 styles and 6 weights that can be mixed and match, it contains 24 fonts including alternates and true italics . It is full of OpenType features – stylistic alternates and ligatures.

This multilingual font family supports most of the European languages as well as Cyrillic ones (Russian and Ukrainian).

Fraktion Mono is a semi-technical grotesk and the fixed-width complement to Fraktion Sans. It comes in six weights from Light to Black and offers plenty of typographic solutions through OpenType features like case sensitive punctuation, stylistic alternates, fractions and slashed zero. Fraktion Mono works great for branding, packaging, editorial or any display application and comes with an expansive character set that covers over 200 languages. Fraktion Mono is manually kerned and auto-hinted for crisp display on screen.

The antique wood type Gothic Tuscan [a spurred design with rounded terminals] was the basis for Roundwood JNL, which is available in both regular and oblique versions.

Typography inspired 100% in action, Adventure, Cars, contains different weights and alternatives 12 fonts in total

Based on William H. Page’s Clarendon Extended wood type from the 1800s, Clarified JNL is digitally available in both regular and oblique versions.

In the days of wood and metal type, foundries often made changes to an existing design to make their font more unique and different from their competitors. 

Clarified JNL is different from Clarenwood JNL (which is partially based on another wood type Clarendon and features many alternate letter forms).

Arise speaks clearly and with purpose, it does not need to shout to be heard. It is fairly innocuous and unassuming, you could perhaps say it is straightforward and boring at first glance… but hopefully you will see its defining features upon closer inspection and appreciate its humanistic qualities, its irregularities, and its distinctive elements.

Arise is a multi-purpose type family – being equally at home in text and display scenarios, it retains a pen-drawn style that comes to the fore in its hooked terminals and decorative swash alternates. As can be seen in the /a/c/f/g/r/y/ glyphs, hooked terminals are a key feature of this typeface. These terminals are blade-like in appearance, defining a distinctive character that is unusual, yet balanced and refined.

Practical features include 38 capital swash alternates for intial and final forms that can be particularly effective when used in titling and branding situations. Small caps are also included (along with matching diacritics) – these are designed to harmonise with regular lowercase forms so that you may easily achieve unicase-style typography.

There are 18 fonts altogether, with 9 weights from ExtraLight to Ultra in both roman and italic. Arise has an extensive character set that covers all Latin European languages.

Key features:

• 9 Weights
• Roman & Italic
• Small Caps
• 38 Alternates
• Old Style Figures
• European Language Support (Latin)
• 700+ Glyphs per font.