Rick Peterson

Gluy is geometric humanist hybrid. It blends the two categories into one design. Mixing geometric rational shapes with a touch of organic calligraphic forms. Comprises a total of 20 styles and supports most Latin languages and Cyrillic. Ideal for branding but very versatile. It can be used in many contexts from print to web.

Crossten’s “modern geometric sans” family consists of 20 fonts.

All family fonts contain 370 glyphs and are equipped with many typographic features.

Crossten is designed for those who prefer to use single-coded fonts not only in coding but also in many different graphic design environments. Idea; It came from creating a font with a single-spaced aesthetic, without breaking the soft, single-spaced fonts.

Crossten is a geometric sans single-spaced font with all typographic features except space and character spacing.

Technical Stencil VP is the stenciled version of Technical Standard VP and the two typefaces can be used either on their own or together seamlessly.

The initial inspiration for their design came from examining the various types of precisely machined labels on tools from cameras to cars, which need to be perfectly legible at all sizes. The unique streamlined look such processes achieve was carefully reinterpreted and the resulting fonts are at the same time robust and stylish, both universal and unique. Technical Stencil VP includes ten distinct styles, offering great versatility.

All styles in this family include an extensive Latin character set, the Greek alphabet, multiple sets of numerals, a large set of punctuation marks, and other symbols. With 1120 glyphs in each style, it guarantees full support for all Latin languages. To make the family even more powerful, twenty OpenType features are included, such as multiple vertical positions, diagonal fractional forms, optional slashed zeros, separate old-style and lining figures, small capitals, and contextual alternates.

Smoke Signals is a calligraphy font handmade using a real dip pen and ink with lots of bonus goodies.

Smoke Signals includes:

- tons of ligatures for a smoother text
- small caps that act as an all caps font
- a bonus set of ornaments
- a bonus set of grunge elements, such as splatters, ink blots, scratches
- a bonus set of 10 paper textures scanned from old record sleeves and old notebooks

Smoke Signals is perfect for any design that needs a vintage calligraphy look. Use it in signatures and logos, notes and quotes, social media posts, and branding and packaging.

Afire is a sans-serif of understated warmth and elegance. Through clean legibility and gentle embellishment, Afire delivers lively bounce with sophistication.

Raspail is a contemporary calligraphic font inspired in a copperplate. Raspail has a great inclination with extensions of ascending and descenders strokes, widely ornate,  and a special emphasis on the connection of the letters. This font contain more than 350 alternates, 50 ligatures and a great set of ornaments.

Confitería is the Spanish word for a shop where sweets and chocolates are made and sold, which sometimes has a tea room. And now Confitería is also a font that brings to mind lettering piped on delicate cakes ... sweet but never sickly.

This font captures something of that simple and innocent beauty of traditional confiterías, where good manners will never go out of fashion, menus are elegant and time comes to a standstill to make way for life’s little pleasures. A confitería is a perfect place to share sweet tidbits with a friend or date, eavesdrop on the conversation at the next table, read a book, or just people-watch from the window. I celebrated my last birthday at one.

There is one iconic confitería in Buenos Aires that I love more than the rest because, some 60 years ago, it put up its marvellous sign and never took it down. Walking by it is sure to bring a smile to your face. It’s big. Very big. And the lettering in its name is written in a timelessly beautiful vertical script – the most attractive I have ever seen.

I joined forces with Sol Matas – who worked with me to update the Montserrat font –to design this geometrical connected font with pleasant, even strokes. It is elegant and saccharine-free. And to top it off, it comes in several flavors.’

Welcome! What can we get you?

Fraktion Sans is a semi-technical grotesk exploring the space between mechanical sturdiness and expressive clarity. Compact capitals and squared-off rounds with true verticals lend the typeface a steady rhythm. It comes in six weights from Light to Black and offers plenty of typographic solutions through OpenType features like case sensitive punctuation, stylistic alternates, fractions, slashed zero and tabular and old-style figures. Fraktion Sans works great for branding, packaging, editorial or any display application and comes with an expansive character set that covers over 200 languages. Furthermore Fraktion Sans is manually kerned and auto-hinted for crisp display on screen.

Osaca is a sans serif font family inspired by nature and it is composed of 6 weights, from extra light to heavy, including the matching italics.
Osaca is a typeface that doesn’t go unnoticed due to its particular design: its curves and lines mirror the typical motif of leaves.
Osaca is ideal for large and medium headers and titles, but also perfectly suitable for short or large paragraphs as it creates an effect that is quite different from the classic sans-serif and definitely unique.

Coffinated features letters on coffin shapes. This caps-only family has two sets of characters, with one set on coffins that are flipped from those in the other set. The OpenType feature contextual alternatives (calt) prevents two characters from the same set being adjacent. The two styles, bold and regular, can be used in layers to add color. There are not a lot of uses for macabre lettering but Coffinated is available for those who do find a use.

Wright is a sans-serif geometric typeface inspired by the lettering found on modernist building plans. An elegant small x-height, tall ascenders and wide capital letters make the font look great in titles and short paragraphs.

Wright consists of 4 subfamilies, each in 6 weights plus italics—48 fonts in all. Its wide range of alternates and ligatures make it an ideal workhorse suitable for a variety of projects and give your designs a stylish appearance and unique look.

As you would expect from Latinotype, this font comes with a standard set of 800 characters and supports over 200 Latin-based languages.