Rick Peterson

Right after Allrounder Grotesk and Allrounder Monument, it’s time for the third member of the Allrounder Collection by Moritz Kleinsorge. Please welcome Allrounder Antiqua.

Allrounder Antiqua is a classic and timeless typeface, perfectly suitable for editorial and brand design. The lowercase a with its small and sharp counter provides a distinctive recognition feature, that will always stand out nicely.

While its main purpose is to set very legible body copy with an even color, its refined shapes also shine in display sizes and let you create elegant packaging, even for food, fashion or consumer goods, and lifestyle branding. It is also suitable as a strong corporate typeface, be it for a more conservative venture or the latest hipster start-up.

This classy serif typeface comes in four weights with corresponding true italics. And for sure, just like the workhorse Allrounder Grotesk, Allrounder Antiqua is also equipped with plenty of Opentype Features like small caps, six sets of figures, case-sensitive forms, superiors, fractions and many ligatures. You will find alternate letters with swashes within this extended character set, as well as all the accented glyphs necessary to support more than 200 Latin-based languages.

Allrounder Antiqua: Historical Background
The (french) renaissance inspired typeface started as Moritz Kleinsorge’s graduation project within the „Expert class Type design” course of the Plantin Institute for Typography, located in the famous Museum Plantin-Moretus in Antwerp, Belgium. There, Moritz Kleinsorge decided to create a revival of Robert Granjons Ascendonica Romain, which is described as „a beautiful face; typical of Granjon’s mature style” within the inventory book of available punches and matrices. To touch punches and matrices cut by Robert Granjon back in 1567 was an unbelievable feeling, he explained. Over time, the typeface moved away from being a true revival, becoming rather a Granjon inspired typeface.

Allrounder Grotesk: Perfect Pairing
Allrounder Grotesk is the ideal complement to Allrounder Antiqua. They both share the same vertical matrices and color, so you can pair both typefaces within a text without creating a visual disruption. Head over to the Family Page of Allrounder Grotesk to get more information about this typeface. You can also find Allrounder Antiqua and the matching four weights and italics of Allrounder Grotesk as a collection. Just search for „Allrounder Grotesk and Allrounder Antiqua” within the search bar and you will find all matching weights of both typefaces for a special price. With this collection all your design dreams come true for matching type with ease.

Design Trick: Bilingual Design with the Allrounder Superfamily
The combination of Allrounder Grotesk and Allrounder Antiqua is ideal for bilingual designs, wherein both languages get the same emphasis by two different typefaces. And of course, setting headlines with different but matching typefaces is a strong visual practice.

Polites is a millennial generation serif font, made with a very soft touch. Polites is a font family, it comes in 12 upright weights.

Multilingual support for various languages including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish, and more.

Polites works great in any branding, logos, magazines, films. The different weights give you a full range of whole hosts of applications, while the outlined fonts give a real modern feel to any project.

OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. can also be accessed through the character map.

Varese is a geometric and modular typeface inspired by early 1900s European posters. It is heavy and excellent for display or large body text. The design of this font explores the boundaries between unity and variety in a playful rhythmic dance. Varese will give your content a warm, nostalgic, robust, and friendly tone.

The lowercase is similar in form to the uppercase, yet many of the lowercase letters have interior spaces and several have some variations on the form. The lowercase also has two alternate glyph sets that are half size and align with cap height. One of the alternate glyph sets has an underline and the other set does not.

Varese Soft has a sibling, Varese

Aventa is an exciting geometric typeface with contemporary touches. It’s born from strong elementary shapes, with clean circles interwoven with modern cuts and sharp edges.

It has distinctive voice, retaining the simplicity and elegance of classic geometric typefaces with a fresh, stylish rework.

Its bold in personality and fills the space without shouting, appearing refined and confident. It’s high X-height and strong capitals sustain a large amount of visibility across all weights, and have been optically corrected for even better legibility.

It has been designed as a variable font to give lots of options and access to unique type looks; however it also includes nine weights to give just as much access to creativity to those without access to variable supporting software. Aventa’s matching italics sloped at a lively 8º help give it a full range of expressions.

Its distinctive character and many variables make it a versatile, stylish workhorse, great for interfaces and design.

Each font contains just under 400 glyphs with full Western, Central and Eastern European language support.

Solo Print mimics letters that had a close encounter with a slightly bad copy machine, The 5 different versions of each letter makes it even more realistic!

Introducing, Stargation. This display script has unique anatomy with thin and condensed glyhps which is brings the casual and playful feel. Perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Stigsa Display is a high-contrast typeface inspired by transitional and contemporary typefaces. A vertical stress with sharp serifs, delicate and legible. Stigsa Display family consist of 35 fonts: 7 weigths and 5 widths. With 1143 glyphs each. Stigsa Display family with various styles will be an handy tool for a wide variety of designs. The typeface high contrast designed for use in big text sizes and medium sizes. Via the OpenType features allow for the implementation of typographic niceties such as small caps, tabular figures and oldstyle figures, ligatures, case-sensitive, fractions and extended language support.

The Features of Belong Logo and Heading Font Family are that it have both readability and uniqueness.
It touches to achieve uniqueness while conforming to the structure of the Sans Serif system.
These harmonious intersections of the acclimations and deviations were applied to these fonts.
As a result, these fonts can be used beautifully in any body and text area, not just the logo or title.
In addition, circled glyphs will show originality in various emphasis and bullet areas.
Convenience and creativity for professional designers will be shown up in various fields such as the editorial or APP design business.

The family contains two fonts - charged with OpenType features vintage soft serif and a sans serif with corresponding forms and softness.

Serif: Grandma’s sweet and soft recipe with more than 1300 ingredients (lots of alternates, swashes, ligatures and design elements). This font takes it’s inspiration from Goudy, Windsor and Bookman typefaces. Watch the video showing the font stylistic alternates and swashes in action https://youtu.be/_MHNizwq1bM

Sans serif: Soft and friendly, it is a simple 1970s inspired geometric grotesque to use as a support font with Praliné Serif or any other serif or script font of your choice.

Both fonts fully unicode mapped so can be used in any application.

Get your designs look like 1970s!

Validity Script is a cute, outlined handwriting font family.

The typeface was drawn and developed by Måns Grebäck and Misti Hammers during 2019.

With swirly letters and charming wilderness it is perfect for a crafty project or an invitation with a personal touch.

It comes in three weights and each weight as Italic, totaling in six styles:
Thin, Thin Italic, Regular, Regular Italic, Bold, Bold Italic

Each font of this family is of high-quality and contains OpenType features.
The fonts have extensive ranges of glyphs; they support all Latin-based European languages, contain numbers as well as all symbols and characters you’ll ever need.

Originally created in 2014, but redesigned and improved in 2020, Remah is an eclectic and versatile sans serif font family consisting of 5 weights, from extra light to extra bold with its respective condensed. When looking for something different, Remah is certainly the best choice: the wavy shapes that define it are intertwined with clean cuts and sharp edges, making it suitable for typographic experimentation and ideal for display work, logo design, posters and billboards.