Rick Peterson

Minimum Waste - the name is taken from a Sade song, but is meant more as a political statement. Please be aware about your everyday use to make sure the planet survives!

Fonts are Inhuman and Human Fonts are IN! Now, the Comicraft Cybernetics Corporation is proud to announce the first in a new line of fonts with GFP… Genuine Font Personalities. Paranoid Android is an outer alloy, inner void, solitary solenoid GFP prototype—you can tell, can’t you? Finally a font that knows its place as a digital servant to the human race. What will Comicraft think of next? No, don’t bother to answer that, Comicraftsmen are fifty thousand times more intelligent than you and even they don’t know the answer. Warning: Nothing left to be enjoyed, every diode rheumatoid*, terminally Paranoid Android is not so much a font, and more a kind of electronic sulking device. Share and Enjoy!

*The moving parts on the left side of this font are in a solid state. It may sit in a corner and rust, or just fall apart where it’s standing.

There are Rum doings in the harbor tonight, me hearties! Black-hearted buccaneers are gatherin’ in the tavern and there’s talk of gunpowder, treason and plot. Even if there are ladies in the room, we advise that you Pass the Port, put away your pieces of eight and weigh anchor until the Pirates have Caribbean and gone.

Introducing… SPEEDING BULLET—featuring SPEED TRAILS for increasing the, ah, speed of your bullets! Quick as The Flash, slicker than Quicksilver, the latest in our popular line of silver age display fonts could probably outrun a locomotive AND jump buildings in a single bound. It’s ASTOUNDING, it’s STARTLING, it’s ELECTRIFYING, PERAMBULATING, DISCOMBOBULATING and RETROFITTING. It really is Faster than a Speeding Bullet. Try it out for yourself. Under adult supervision, natch’.

Don’t say it! Is this THE END of THE STORY SO FAR?! Is there REALLY an END to ANY story, or just a place where it STOPS? We started near the beginning of the end, and now we are near the end of the beginning, so far away and yet so close… but Ends are not bad things and many ends aren’t really an ending, especially when you are merely near the end of a never ending story. Are you anywhere near with us so far?

Midnight, Pacific Coast Highway. You’re driving home alone at night and your battery’s dying. Your headlights have dimmed and you can barely see the road or the signpost up ahead. But there’s an eerie green light glimmering in your rear view mirror and that strange warning uttered by the pump attendant at the Devil’s Elbow gas station has put the frighteners on you. Is that Satan’s face glowering at you through the mist, or something far worse? Brought to you by John “JG” Roastinhell, the only way to handle this font is with one foot on the gas pedal and one foot on the brake.

Antique Stencil Borders Two JNL is the follow-up collection to the July, 2018 release of Antique Stencil Borders JNL and features twenty-six more decorative stencil borders from various vintage sources.

VVDS Benigne Sans is geometric font family consisting of 8 weights ranging from Thin to Ultra Bold with matching italics. Balanced and gently Thin or fat and heavy Ultra Bold, good wide range of widths, which allow use this font not only as a Headers, also as sub-headers or block texts. Also, I love how it looks in infographics. VVDS Benigne Sans is latin-based multilingual and contains all mathematics symbols.

OpenTypeFeatures Ligatures, alternates, old style numerals and fractions.

Enjoy! VVDS

Cream is a big softy! This retro soft serif typeface comprises 12 fonts and can handle most typographic applications from branding to body copy with its range of weights and inherent legibility. Whatever you type will have a friendly message, but it really comes into its own when you start applying some of the additional alternates and ligatures that are built into Cream. You’ll be creating distinctive typographic compositions that are pleasing to the eye in no time at all! 

There are 12 fonts altogether, ranging from Light to Black weights in both roman and italic. It has an extensive character set that covers all Latin European languages.

Key features:

• 6 weights in Roman and Italic
• 75 Alternates
• 37 Ligatures
• Full European character set (Latin only)
• 730 glyphs per font.

This is Metroflex Pro, an urban, multi purpose standard type system, engineered like a
machine. The design was inspired by the Fritz Lang’s Metropolis, a silent film created in 1926. The basic idea was to design a standard type system that fits into the world of Lang’s Metropolis.

Metroflex Pro features original ideas and solutions that have roots in the present while inspired by past designs such as Univers, Futura, Steile Futura and DIN.

Metroflex Pro - a practical communication tool for contemporary design available in 3 widths: Uni, Narrow and Wide, and five weights: Light, Regular, Medium, Bold and Heavy with Obliques.

Great Scott, Marty! This font is charged by the Power of Love! DOUBLEBACK was created by Comicraft for the official BACK TO THE FUTURE fan club. We can’t guarantee that it’ll take you back in time, but we can recommend a trip to Amazon.com (or .co.uk!) where you’ll find the BACK TO THE FUTURE movies on DVD for the first time.