Rick Peterson

Tectonic is an elegant and stable heavy-duty didonish typeface in three different flavors: the strong and sober Poster Style, the fancy and classic Engraved Style and the playful and sexy Swash Style, each of one includes a distinctive set of alternates, ligatures, numbers and plenty of other resources and OpenType features for your text delight.
Solid and heavy yet full of delicate details and variations, Tectonic was especially designed for being used in headings, logotypes, large text settings and display use in general where a well-founded and firm yet graceful and refined statement is needed.

Fun packed comic style font. Especially made for commercial products such as all kinds of packaging, cereals, video games, candy, kids toys and alike. I added ligatures for double letters to avoid a repeating look. Enjoy!

When we trimmed the serifs off our new slab serif family Mortise, we found a plain, efficient sans that marches through the uncanny valley between grotesk and geometric, with almost circular bowls that lend extra energy to the line. Like its sibling, Tenon has open counters, a generous x-height, and wide proportions that suit small sizes and small screens. Used larger, its brisk, optimistic air makes it a good choice for projects ranging from editorial design to signage. It’s available in six weights, from the precise X-Light to the muscular X-Bold.

Cosima is an effective workhorse with a touch of subtle elegance, designed by Anita Jürgeleit.

Launching your new brand or creating a new user interface for your mobile devices – selecting characteristic typeface for a brand and advertising is just as important as using the right font for app design, magazine or editorial – typography is always the essential part.

Cosima’s vertically and horizontally cut stems make it appear strong and steady. The narrowed characters and expanded lowercase heights have an elegant impact on the text settings and show joyful designed details in larger sizes.

This type family is available in 8 styles. Its language support covers 93 Latin languages, including Vietnamese. It provides an extended set of fractions, sub- and superscripts, lining and tabular figures. Sign up for news and updates about Cosima at www.anitajuergeleit.de

Gelato Fresco represents a coming-of-age of a script font that started life in 2011 as the popular Gelato Script. In 2018, Gelato Luxe sought to improve on Gelato Script, and now, with the addition of extra weights for the first time, Gelato Fresco takes the baton.
What was always a typographically sophisticated and versatile font, has reached new levels of usability as it becomes a family. In its previous incarnations, the typeface has graced everything from designer handbags to prime-time TV shows; food blogs to wedding invitations; glossy magazines to (not so imaginatively!) ice cream shops. I can’t wait to see what this even more versatile version gets used for.

The Thief Bird is a grotesque informal character font.
Informal and grotesque may seem two quite different concepts, however we have to go back to the origin to understand it.
The concept that gave life to “The Thief Bird” is not the same that originated fonts such as Franklin Gothic, which was to stand out in the newspaper headings, but it was based on the adaptation made by the vintage signs painters who took the grotesque style they saw in the newspapers, appropriated it, and reproduced it by brush, no longer to highlight large headlines, but to highlight the prices of their business.
The Thief Bird, takes the language from sign painters and transform it into a font.

This time not to publish prices, but to give life to children’s stories. That is, it takes certain legibility elements from the grotesque fonts mixed them up with the brush language of the sign painters and add grace and life needed in a children font.

The Thief Bird is a playful font display, which with its cheerful ligatures and alternate characters. It makes it really attractive for short paragraphs that tells short stories for little people.

The Thief Bird is a just one file and it is ideal to be used in every children projects from storybooks, as in candies packaging, films, toys, logos, branding, web and type in motion in screens.

TTB is a playful display font, which with its cheerful ligatures and alternate characters, is very attractive for reading small paragraphs, which tell small stories for small people.
The font has the extended set of 643 characters to be used in a professional way in 219 latin languages. It has the complete set of small caps, sensitive cases, more than 30 pairs of ligatures, alternative characters and much more.

The Thief Bird supports this languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwich’in, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni.

Sinter is the sharp-elbowed sister of our best-selling Center. To make it, we reversed the usual order of things by starting with a rounded typeface and adding corners. The result is crisper and more assertive, but has the same open counters, forthright curves, and squarish rounds as its sibling. It also incorporates the lessons learned from Center’s years in the wild and, like Center, features nine weights with matching italics, ranging from a waifish Thin to a hulking Ultra, plus tabular figures duplexing across all weights, case-sensitive punctuation, and support for over 130 languages. Its look is less futuristic but more businesslike, and its hard-edged clarity lends firmness and confidence to the page or screen.

OMG! I never thought I’d finish this font! Actually, the idea came to me in the late 1990-ies, but the sketches lied at the bottom of the “fonts I will complete one day In the future” pile ... also called “fonts I most likely won’t complete…EVER” pile! :)
Anyway, I started up with letters for both upper and lowercase, no numbers or punctuation. I figured if people ever purchased this font, all they would need were upper- or lowercase letters. But the rest of the glyphs seemed to miss out, so I made the numbers and some punctuation. But I still found the font incomplete…therefore I redid all the punctuation (from “standard” punctuation to “picturish” punctuation) and added two additional sets of letters. Meaning that there is 4 different versions of letters to choose from: 2 different lowercase, and 2 different lowercase.
I had a lot of fun drawing this font, and some fun doing the detective work finding out how the MANY lettershapes should look!
I hop you too have fun using this font! :)

To mortise is “to join or fasten securely.” Created by an aspiring furniture-maker and an aging typographer, Mortise is a solidly constructed new slab serif, and marks Signal’s first collaboration with outside designers. A generous x-height, open counters, wide proportions, and monoline strokes make it readable and practical, while the long, slightly curved vertical serifs give it a raffish, mustache-twirling air. The X-Light is neat and refined and holds the page nicely; the middle weights are sturdy and direct; and the broad, blocky serifs on the X-Bold are exuberant and perhaps a bit rowdy. Available in six carefully crafted weights, Mortise is both a fresh new face and a versatile addition to the venerable slab serif genre.

Novata is a new script font, casual, organic and with strong character. Novata includes 529 glyphs, with stylistic and contextual sets, swashes, many ligatures to combine and make your texts original and authentic.

Klapt Cyrillic is a geometric sans serif family that is soft on the outside and sharp on the inside.

This font family, of four weights, includes an extended character set supporting most Latin languages ⁠ and extended Cyrillic — even Vietnamese, Serbian, Bulgarian and many more.

Klapt Cyrillic can be bold or very elegant and is well suited for designs ranging from branding and corporate identity to editorial design or web design.

It has a timeless style which and is great for display purposes, especially for headlines, posters, magazines, book covers, logos… you name it!

Feel free to share your designs using Klapt or just get in touch via email to hi@seventype.com.

Klapt Cyrillic is the extension of Klapt https://www.fontspring.com/fonts/seventype/klapt.